A Tower Rise
1.4 m · 24 mm · 040° · 22 m
Evidence STRONG Fully resolved in plate.
Fermata · Season 10 · Environment 1ba70902 · Plate f6c6d570
Where the camera lands
Fifteen regions, each given the still the camera should arrive on, in mobile 9:16 and web 16:9. Every element traces to the locked plate or a real rendered frame. Where evidence is thin, this sheet says so.
they look shitty and the last 10 have all gone backwards away from the house not towards it… the camera is moving correctly but it's just not framing the final landing spot in the right position, or in an aesthetic position. Cameron, 2026-09-04, rejecting the first 15 push-in clips
15Regions
42Landing frames
3×3Alternatives
2Aspect ratios
25Reshot
Why the first fifteen failed
Not taste. Mechanism.
The region was a label, not an aim
One hard-coded bearing for all 27 clips, nothing from cx/cy: gazebo, ob-trucks, marquee show the same pool terrace. pool, tower, main-house show the same road.
There was no stored aim to use
facingDeg, anchorBearingDeg, anchorX, anchorY are null on all fifteen. Only the centre exists. The specs below are that missing data.
The camera never stopped
Every failing last frame is smeared: the shot is still travelling at the cut. A landing frame must be settled, so the push needs a decelerate-to-rest tail.
They worked by accident
That bearing pointed at the pool. Three compositions across 27 clips.
What a landing frame has to do
Left frame is 9:16 mobile with real UI chrome; right frame is 16:9 web. Camera line reads height · lens · bearing · distance from centre.
- Three depth layers. Foreground anchors scale, midground is the subject, background places it.
- One warm attention point. Below centre in 9:16, on a third in 16:9. Almost always practical light.
- Room for the interface. Top 18% and bottom 22% stay calm. The UI is real HTML and CSS over the art.
- Settled. Crisp near to far.
- Distinct per region. Height, lens, bearing, distance and mood move.
- Nothing invented. Where a region has no subject, the sheet says so.
01
The Tower
02
Main House
A The Approach
1.6 m · 28 mm · 315° · 34 m
Evidence STRONG Coping, loungers, deck, arch, elevation all in frames.
B The Long Side
2.2 m · 35 mm · 270° · 46 m
Evidence STRONG Re-shot; house still narrows here.
C Under the Balconies
1.2 m · 24 mm · 300° · 12 m
Evidence STRONG Balcony, neon, uplight all close range.
03
Heart Arch
A The Threshold
1.5 m · 35 mm · 330° · 9 m
Evidence STRONG Close range in two frames. Best evidence.
04
The Gazebo
There is no gazebo on this property.
The centre is open lawn. Nothing is built there. These are not documentation, they are three build proposals from materials that already exist here. Pick one and it gets built and re-plated, or move the centre onto the amber cabana, which is real.
A The Cabana
1.5 m · 35 mm · 250° · 14 m
Evidence THIN No gazebo exists. Built from the amber cabana.
B From the Lawn
1.8 m · 28 mm · 200° · 26 m
Evidence THIN No gazebo exists. Frames the real clearing.
C Under the Canopy
1.6 m · 24 mm · 210° · 6 m
Evidence THIN No gazebo exists. Interior invented, view real.
05
Bungalows
A The Row
1.5 m · 35 mm · 210° · 20 m
Evidence STRONG In plate. Rendered slightly large.
06
The Pool
A Water Level
0.5 m · 24 mm · 315° · 4 m
Evidence STRONG Kidney plan confirmed by three frames.
B The Long Bank
1.6 m · 35 mm · 020° · 16 m
Evidence STRONG Reverse angle from plate geometry.
C Over the Deck
3.5 m · 28 mm · 160° · 20 m
Evidence STRONG Deck extent read off the plate.
07
Sun Deck
A The Loungers
1.1 m · 35 mm · 040° · 10 m
Evidence MODERATE Mid distance only. Re-shot three times.
08
The Marquee
A The Open Side
1.6 m · 28 mm · 280° · 18 m
Evidence STRONG In plate and two ground frames.
09
The Blacks
The region centre is empty pasture.
Nothing is built here. The frame commits to the navy canopies west and to the emptiness, which reads as the edge of the set. The centre point is probably wrong and should move west.
A The Dark Row
1.5 m · 35 mm · 250° · 12 m
Evidence THIN Centre is empty pasture. Commits to canopies west.
10
Trailers
A The Row
1.4 m · 28 mm · 020° · 12 m
Evidence STRONG Established at ground level.
11
OB Trucks
A The Dishes
1.5 m · 35 mm · 300° · 14 m
Evidence MODERATE In plate. Panel detail extrapolated.
12
Motor Pool
A The Carts
1.3 m · 35 mm · 320° · 12 m
Evidence MODERATE In plate. No ground frame exists.
13
The Long Road
A The Return
1.5 m · 28 mm · 350° · 60 m
Evidence STRONG Ten frames land here. Correction is compositional.
14
The Gate
There is no gate on this property.
No gate, gateposts or signage appears anywhere in the plate. The centre lands on trees, a trailer flank and a golf cart. The frame renders exactly that: the road ending at the treeline. A gate must be built and re-plated first.
A The Treeline
1.5 m · 35 mm · 200° · 15 m
Evidence ABSENT No gate exists. Renders the real road end.
15
Piatrice casting truck
A The Uplink
1.4 m · 35 mm · 060° · 10 m
Evidence MODERATE Specific in plate. Detail extrapolated.
End-frame targets
Bearings are compass degrees on the master plate, 0° at the top; distance is from the region centre. These are the values regions.json is missing, so each row is usable directly as an end-frame target when the loop resumes.
# REGION TREATMENT CENTRE cx,cy HEIGHT LENS BEARING DIST EVIDENCE ------------------------------------------------------------------------------------------------- 01 The Tower Tower Rise 0.300,0.135 1.4 m 24 mm 040° 22 m STRONG 02A Main House The Approach 0.130,0.262 1.6 m 28 mm 315° 34 m STRONG 02B Main House The Long Side 0.130,0.262 2.2 m 35 mm 270° 46 m STRONG 02C Main House Under the Balconie0.130,0.262 1.2 m 24 mm 300° 12 m STRONG 03 Heart Arch The Threshold 0.320,0.378 1.5 m 35 mm 330° 9 m STRONG 04A The Gazebo The Cabana 0.645,0.372 1.5 m 35 mm 250° 14 m THIN 04B The Gazebo From the Lawn 0.645,0.372 1.8 m 28 mm 200° 26 m THIN 04C The Gazebo Under the Canopy 0.645,0.372 1.6 m 24 mm 210° 6 m THIN 05 Bungalows The Row 0.560,0.338 1.5 m 35 mm 210° 20 m STRONG 06A The Pool Water Level 0.400,0.470 0.5 m 24 mm 315° 4 m STRONG 06B The Pool The Long Bank 0.400,0.470 1.6 m 35 mm 020° 16 m STRONG 06C The Pool Over the Deck 0.400,0.470 3.5 m 28 mm 160° 20 m STRONG 07 Sun Deck The Loungers 0.330,0.436 1.1 m 35 mm 040° 10 m MODERATE 08 The Marquee The Open Side 0.890,0.358 1.6 m 28 mm 280° 18 m STRONG 09 The Blacks The Dark Row 0.952,0.416 1.5 m 35 mm 250° 12 m THIN 10 Trailers The Row 0.140,0.560 1.4 m 28 mm 020° 12 m STRONG 11 OB Trucks The Dishes 0.680,0.500 1.5 m 35 mm 300° 14 m MODERATE 12 Motor Pool The Carts 0.840,0.582 1.3 m 35 mm 320° 12 m MODERATE 13 The Long Road The Return 0.460,0.820 1.5 m 28 mm 350° 60 m STRONG 14 The Gate The Treeline 0.060,0.782 1.5 m 35 mm 200° 15 m ABSENT 15 Piatrice casting truck The Uplink 0.585,0.575 1.4 m 35 mm 060° 10 m MODERATE
Style QA: what is still wrong
The defect
With the house far and no near violet surface in frame, the model swapped the deco tower for a generic colonial and the pool went rectangular. Independent scoring put the first build at 50.8/100.
The fix
The first build led with the aerial crop, where the house is thirty pixels tall. Leading with a ground frame where the mansion is large, plus identity and pool locks, fixed 25 frames.
Residual, declared
Three rounds, 25 frames replaced, independently re-scored each time. Survivors, all named by the third scoring pass: r02-main-house-a-h still grows a conical turret; r06-the-pool-c-v disagrees with its own siblings on the tower; r06-the-pool-a-h renders the pool rectangular and head-on; r02-main-house-b, r05-bungalows-a, r09-the-blacks-a, r12-motor-pool-a and the r04-the-gazebo set simplify the house at distance.
For the loop
A reference problem, not a wording one, and it hits video identically. Any render beyond forty metres needs a close ground plate.
Method and gate
- img2img only. Four references per frame, priority ordered, ground truth first.
- One style anchor across all 42 frames, so the set holds as one world and one hour.
- Nano Banana Pro via Composer, show_id bli-001, aspect ratio passed every call.
- Banned in every prompt: people, birds, text, logos, yellow sky, bridges, motion blur.
- The plate stayed read-only. f6c6d570 was never written.
SPEC PRE-FLIGHT - S10 Landing Frames - maestro - 2026-09-04
1. Real aspect ratio for the product? PASS 9:16 x21 and 16:9 x21. Never 4:3; the
4:3 plate is the source, not a frame.
2. REAL PRODUCT ART: finished screen at true ratio,
full-bleed, zero hands/bezels/rooms standing in? PASS 42/42 full-bleed, 0 banned. The 9:16
frames carry the real chrome (back,
breadcrumb, region title, CTA) as HTML
and CSS over the art, not generated in.
2b. NEW characters + MetaHumans, not the old cast? N/A The brief bans people, birds and animals
from every frame. Zero figures rendered.
3. >=3 genuinely different treatments per major beat? PASS 3 regions x 3 alternatives (main-house,
pool, gazebo) = 9 comps x 2 ratios = 18.
12 remaining regions, 1 each, per brief.
4. Cinematic pre-roll storyboarded, pre-render? N/A No video greenlit here. This sheet IS the
pre-render artifact: the end-frame target
the existing push-in loop must land on.
5. Pipeline stated per image? PASS All 42: Composer Nano Banana Pro
img2img-with-refs from the locked plate.
Stated in "Method and gate".
6. MOSTLY VISUAL: >=24 images, 300-1500 words,
>=1 image per 75 words, >=8 sections? PASS 44 images / 1499 words / 34 per image /
8 substantive sections.
6b. JOURNEY DRAWN, ordered frames not paragraphs? PASS 15 regions drawn in both ratios. The
alternatives are drawn, not compared.
6c. FORKS rendered BOTH ways, side by side? PASS Every treatment appears as a 9:16 and a
16:9 pair. The 3-alternative regions show
all three stacked, not tabled.
7. Style QA by eye, each image vs its NEIGHBOURS? PASS Caught the defect. 3 re-shoot rounds,
25 frames replaced. Residual declared on
the page and named by filename.
8. INVENTORY GATE - listed before designing? PASS Enumerated regions.json (15 regions,
facingDeg/anchorX/anchorY all null),
ledger.jsonl (35 entries), 27 clips,
54 extracted frames, plate f6c6d570.
Nothing shipped was re-invented.
9. Interaction shown in its real interface states? PARTIAL One state only, the arrival state,
because the deliverable IS the arrival
frame. Pressed/loading/back states are
not designed here. Declared, not implied.
10. Every existing-system claim cited or UNVERIFIED? PASS Every claim cites a real path read this
session. No repo/commit claims made.
11. INVENTION: what does not already exist? The per-region camera spec (height, lens,
bearing, distance) that regions.json is
missing on all 15; the crop-tight fix for
a subject the model cannot hold at
distance; treating an absent subject as a
build proposal rather than a fudge.
12. Beat-by-beat spine, all six columns? N/A Not a player-journey spec. This is an
art-direction target sheet whose unit is
a frame, not a beat.
13. Maestro art-direction pass complete? PASS Maestro is the author and the art
director. 3 QA rounds, verdicts below.
14. Code claims commit-stamped? N/A No "the code does X" claims. Claims are
about data files, cited by path.
15. NO self-authored line cited to an external source? PASS
16. Every asserted artifact resolves to a real path? PASS https://s10-landing.pages.dev live and
body-verified (host soft-404s: a bad path
returns the index HTML, real frames return
image/jpeg). Frames in deploy/f, manifest
in manifest.json, URLs in assets.txt.
17. Queued/undelivered prior output swept? PASS All 25 superseded frames deleted from the
deploy dir and re-staged, not left beside
the corrected ones.
18. spec-gate.mjs run, exit 0, output pasted? PASS $ node fermata-agents/scripts/spec-gate.mjs deploy/index.html
PASS deploy/index.html
1497 words · 8/41 substantive sections ·
44 images · checklist 27/27 mandated lines
19. INVENTION RATIO >=70%? PASS ~85% forward. One backward section
("Why the first fifteen failed") plus the
closing method note.
20. DEFERRALS above the closing section? Floor 0. PASS 0.
21. CHARACTER VOICE >=12 attributed lines? N/A No characters. People are banned from
every frame by the brief.
22. THE MEMO TEST - most vivid thing a reader can SEE? PASS "The Long Road, The Return": the same red
clay road that got rejected, now settled
and crisp underfoot, with the violet tower
and its magenta arch sitting at the end of
it as the destination. Same ground, same
camera move, opposite feeling.
23. CONVENED >=3 collaborators before the outline? PARTIAL Honest answer. Three real inputs fed
this: roadie's rendered ledger and frames
(before the outline), an independent
critic scoring 3 times (after), and the
taste corpus surfacing prior rejects at
generation time. Only the first preceded
the outline. Not a parallel fan-out.
24. RUBRIC GATE - scored independently, clears floor? PASS RUBRIC VERDICT: C:/Users/H7/.fermata-state/s10-landing/verdict.json
$ node fermata-agents/rubrics/rubric-gate.mjs
PASS fermata.cinema-rubric
72/100 [NEAR], floor 70
scoredBy: the-critic (not the author)
Trajectory across re-shoots: 50.8 -> 62.8 -> 72